Archive for May, 2009

Twitter in Plain English

Saturday, May 30th, 2009

by Christian Bayley

www.olivestudio.com

SO we have featured this style of presentation before when talking about Social Media as a whole, and since we have been talking more about Twitter (at the request of our readers. . .keep the input coming please. . .make this site  yours!). I thought this is a great example of user generated content combined with a very straightforward answer to the question. . .what is twitter and why does it matter?


Juicy change is a coming

Thursday, May 28th, 2009

by Christian Bayley

www.olivestudio.com

So we are always on the lookout for good examples of incorporating modern and social media into a larger campaign. This example came to me while watching a family movie with the kids. A commercial for Juicy Juice came on but the entire call to action was to go to the youtube channel created for the brand.

It is a great example of a brand that is largely unknown outside of the core market of people with kids. But they are doing things to make them relevant to that market.

Here is the YouTube channel for the brand, where you can clearly see the larger idea tied into this application.

 

 


HOT WORK: Honda Fury

Tuesday, May 26th, 2009

by Christian Bayley

www.olivestudio.com

This spring marks the official release of the Honda Fury. This is a custom chopper style production bike from Honda. The Campaign they built around the launch of this motorcycle was intense starting January 16th and through mid march, but is still in play in the social media channels and picking up steam now that national television ads are starting to go into heavier rotation.

One thing I really like about using them as a case study is that aside from understanding how a lot of these digital pieces fit with together with the offline and event based elements, this product is a good observation of a larger company  understanding trends and culture of the digital generation, and reaching out to them in the channels this generation spends most of its time and in the ways they are most comfortable interacting with brands. Custom bike culture isn’t new but it gained a larger following over the past few years thanks to shows on television like Monster Garage and American Chopper.

The custom motorcycles built by manufactures such as West Coast Choppers, Falcon Motorcycles  and dozens of others can run up to $80,000+ but create envy when they pass by. Honda has managed to make a factory bike that captures this spirit . . .even if it waters it down for a more mainstream version of this trend. One of the press comments summed it up nicely by saying “it shows that someone really sat down and thought about the design and made the kind of bike that you know a factory could make but few factories ever dare to try to make”.

I would say the same thing about the campaign itself. Very well integrated here are a sampling of some of the pieces:

A series of Brand Activation events, launches, press releases, vip parties, and auto shows that you can read about and see video from over at Taste.

At length highly produced commercial footage:

A creative campaign featuring children unleashing the FURY

To take a look at the entire YouTube channel developed for the Honda Fury launch visit here

To see the Flickr channel developed for the FURY launch visit here

The twitter feed produced from Honda for this product is here (but not used much)
 
but when they do use it they use it to some effect linking a partnership for example with online MMA content hub Cage Potato

And finally visit the main site for the FURY here

The campaign was very well integrated across all the media channels. Honda could have taken it a little further in the social media channels, but overall very nice campaign approach. I think this will be looked back on as one of the success stories of 2009 certainly in its category if not beyond.

 


BBQ’d Twitter

Monday, May 25th, 2009

by Christian Bayley

www.olivestudio.com

Kogi BBQ Truck

So we have been asked A LOT lately. . .”what is the deal with Twitter? Do I really need to know every minute detail of someone’s day? How does that help my business?”.

Here is a delicious and innovative case study for you to sink your teeth into. Kogi BBQ is a hip fleet of Korean BBQ trucks in Los Angeles that serve up innovative and tasty but simply fair. Their trucks draw legions of fans and they have become a cult sensation thanks entirely to Twitter. Here’s how it works. . .the trucks are on the move, and typically 30-60 minutes before an appearance a Tweet is sent out to the now 24,000 followers announcing where the truck will be stopping. The result. . .by the time the truck arrives a long line of people has already formed. Serve for an hour or two and repeat the process. This works just as well for the lunch crowd at UCLA as it does for the late night snack crowd outside popular LA nightclubs at 2am.

Add in a recent dash of national press attention as a business that is thriving because of Twitter, and a Pinch of charm and you have a recipe for success and a nice little nod from us here at Branch. What’s next? They are taking the concept National with proposed roaming locations in NYC, Chicago, Vegas. . .and more. Because the concept involved a restaurant with no location. . .Twitter made an ideal platform for motivating masses of loyal brand fans. . .flashmob style.

 


Classic Commercials Vol. 1

Friday, May 22nd, 2009

by Brian Carroll

www.olivestudio.com

So yesterday, I was sitting around thinking about some of my very favorite commercials.  Every once in a while you will see one re-introduced.  So I thought I would do a post sharing a couple of my very favorites.  I encourage you to share and post your favorites as well.  Let the past return!!

I am not sure this commercial was every seen here in the US.  Great use of imagery and music!

And don’t forget this commercial introducing Macintosh computers back in 1984.  This commerical became famous again during the bitter fight between Obama and Clinton during the Democratic primary elections.

Share some of your favorties!



American Viral (part 1)

Thursday, May 21st, 2009

by Christian Bayley

www.olivestudio.com

idol-winner1

So last night was the two hour finale of American Idol. There are numerous ways we could write about this show here on Branch. . .it really is a TV powerhouse. The ratings for the night before when the two final contestants (Adam Lambert and Kris Allen) duked it out on stage were the lowest in three years, but typical American Idol style a new record was set with over 100 million votes called and texted in, and the finale drew escalating numbers as the night wore on breaking a new ratings record for the show in its final 7 minutes with over 40 million viewers. See the complete breakdown on ratings by the half hour here

I am going to make this post a two part post. Here on Branch I am going to talk about the amazing integration and strategic thought that is the business model of the show. Over on Taste I will continue this post to talk about the Amazing degree of production and thought put into this show and the amazing revenue that flows from that.

This show is incredible to me not so much because of its content (I have issues with the content actually most of the time, especially the first painful weeks of auditions). This show is amazing however for its overall business approach to television. First off, the show was concepted around an easy to produce low cost show that would be positioned in typical reality show format. . .certainly nothing groundbreaking there other than the fact the show was initially MUCH cheaper than scripted shows to produce. This has changed to some degree as people associated with the show now command much higher values, and the production level of the show and its supporting ventures has increased significantly from the first season. What is really amazing though is how every aspect of potential revenue has been folded into the business model.

Product integration is better on this show than any other. Ford is the best example here. As the show progresses the remaining contestants do short music number/skits interacting with various Ford vehicles, these are not weak indeed these are fully produced and have great brand interaction.


ford @ Yahoo! Video

The exposure given to these young artists is huge with the number of viewers, and locking them into multiple album production deals is standard. These deals for the most part take most of the profits while the artist is relevant and only the most successful idol contestants tend to have longevity past them (Kelly Clarkson is one example of someone now on their own). The top ten contestants after the show ends are sent on a world tour, bring millions in concert revenu to the show. If you go to their home page you will see numerous places sponsors are integrated and numerous offerings you can buy. Their entire show has become a series of iTunes performances available for download and the revenue generated from these downloads exceeds the production budget for the show by itself. These have become one of the most important aspects of content management for the show as they have huge viral potential but they need to be managed so that the revue potential is greater.

Overall this show is a case study on modern television, and I think in the not too distant future it will be a large successful show like this that makes the leap to an internet only format that will rock the industry to its core.

Check out Part 2 of this Post on Taste

 


Social Media The Time Is Now

Tuesday, May 19th, 2009

by Christian Bayley

www.olivestudio.com

This month we have been extra focused around Social Media because it is the theme of this month’s newsletter. But there are many reasons other than this to be so Bullish on this topic. Social Media has literally exploded over the past 18 months. What was previously the domain of niche bloggers and a few category leading thought leaders has ramped up to extraordinary levels with no end in sight. The entire industry has reached a Tipping Point.

One huge issue around social media that has stopped it in the past from reaching full potential, is the monetization of these efforts. While admittedly these efforts are more challenging to track in some regards there is little argument as to how effective they are. I have used the example in lectures that I have given that for many companies 15 years ago they had a conversation about whether or not they needed a website or if it was a trend. . .perhaps 7 years ago this same conversation took place about whether or not it made sense to have a search engine strategy. Well having been a part of many of those conversations I can tell you there was a lot of debate on the merits of being in those two places, and I think we can all agree that having those two items in place now is mandatory. In fact if you didn’t do it you probably aren’t in business today (or at the very least you are much smaller than you could have been). The same is now true of Social Media.

Social Media is not a fad or a trend. It is a fundamental reworking of how to engage people on THEIR terms. If you try to use Social Media on YOUR terms you will fail. This is not top down communication. . .and I really seeing companies struggling with this notion (but again the lights are starting to come on). You cant flip a switch on your social media presence or throw money at it. It requires fundamental changes in behavior throughout the organization. It moves Web 2.0 tools to become Enterprise 2.0 benefits, and the good news is that there are now great platforms to enable this better and cheaper than ever before. You extend your core presence into a well integrated set of tools using Twitter, Facebook, Blogging, MySpace, LinkedIn, Ning, etc. You win followers in each of those places because you interact with them in their environment, and the portability of data with RSS, CSS, widgets and CMS makes this task easier than ever. But this is not a “if you build it they will come” scenario.

You have to manage and build community. . .this is the secret sauce and the most elusive for companies to understand. These communications are not simply  new places to post press releases and white papers. These are places to listen to and engage customers, prospects, employees and partners. Places to test products, get feedback, address concerns and give accolades. Places to connect with others and share a piece of your brand in the process. Most of all the time is now.


An interview with Joe Reger, Jr. of dNeero.com

Monday, May 18th, 2009

by Christian Bayley

www.olivestudio.com

I recently sat down with Joe Reger, social media guru and founder/ceo of dNeero a social network conversation igniting toolset – to discuss the evolution of social media.

CB: Thank you Joe for taking the time to speak with us. Can you tell our readers a little bit about what you do and your background.

JR: I’ve been a technology entrepreneur for close to 15 years starting with early web development, flowing through the exciting hyper-funded dot com bubble and now growing in the social media realm.  My favorite project to date is dNeero.com which helps companies start conversations with bloggers.

CB:  What are the biggest trends happening in social media right now?

JR: The biggest trend we see right now is simply mainstreaming.  Celebrities like Lance Armstrong and Oprah have brought Twitter to the masses.  Facebook has shown enormous growth away from geeks as evidenced by many of our aunts and uncles rocking status updates.  More and more we’re seeing that being part of social media sites isn’t something done by the youngsters or by elders just to learn what it’s all about… it’s simply become a part of people’s lives. (As it should be, btw.) And this is a big shift because it lowers the hurdle for companies of all sizes to get involved.  No longer can a company that makes propeller blades claim that nobody on Twitter cares about propellers.

CB: What should a company/brand looking to participate in social media watch out for?

JR: Anything that removes the company/brand from the interaction with people.

The goal of social media is to remove layers of bureaucracy, not add them.

There’s nothing wrong with outsourcing social media work, even content creation, but they have to deeply involve people from the company on a daily basis.  And that involvement should be fun… it shouldn’t be a daily deathmarch down 355 Twitter @replies wherein everyone needs a response.

Oh, and lawyers… watch out for them… manage them as a single part of the process, not the gatekeepers to all communication.  Realize that there is risk involved and listen to what they have to say but don’t let their risk highlighting deter you from doing what you know is right… connecting with your users, customers, friends, etc.

CB:  What inspires you?

JR: When I was a kid I wrote my first computer programs and was just thrilled to see a computer doing complex things that I hadn’t 100% predicted.  That got me into physics in high school and college where I was fascinated with huge computer simulations… again, computers doing things I hadn’t predicted.

In the early days of the web I loved watching my server logs to see sites we had built get hit from all corners of the globe.  When I built a blogging platform my users inspired me by sharing more of their lives than I ever thought possible.  With dNeero widgets embedded in 1.2 million urls I’m inspired by the change that our users are making happen.  For me there’s something magical about closing my eyes and imagining the thousands of people chatting about things while making server connections back to us.

The other thing that inspires me is the modest goal of world peace.  I saw a documentary many years ago where they swapped members of Palestinian and Israeli families and then followed them as they went about their lives.

Hating each other early on, they quickly became friends.  This happened because they started to see each other as people.  First through information sharing “you like girls too!?!?”  Which bred understanding and led to tolerance for the other’s views.  Social media gets people to share… to learn about each other.  This leads to tolerance between people at the grassroots level.  Which leads to political pressure to change policy at the global level.  Social media is exponentially better at creating this force than the printing press was… and we’ve all seen what the printing press has accomplished.  It’ll still take time, likely generations… but social media has a huge role to play in world peace.

CB:  It seems like the entire space is at a bit of a tipping point right now.

. .what does the social media industry have to do over the next 18 months to solidify this as a legitimate (and ultimately monetized) channel?

JR: Monetization models are something close to our heart at dNeero.com.  For two years now we’ve been working hard, constantly tweaking, to find the right balance of money and inspiration that’ll work in social media.  Money can’t simply be dumped onto social media… it undermines credibility.  A banner ad for Honda that appears on my site in no way argues that I care about Honda.  So social media monetization models need to work with participants and companies to find ways that each can benefit.  With dNeero companies ask a set of questions which bloggers respond to, posting their answers to their blog.  Bloggers earn a small amount and everything is done with full disclosure.  We’ve also seen some very interesting models involving charity.

In the end, any model that succeeds will have to merge the interests of companies/brands with the interests of social media participants.  It’s harder than it sounds right now because we don’t have the answer.  But once the first billion is made off of a model we’ll all think it was dead obvious. (And we’ll all kick ourselves in the pants because it was some 19 year old punk that figured it out!)


Vancouver Olympics 2010

Monday, May 18th, 2009

by Brian Carroll

www.olivestudio.com

While it may seem like a long ways off, the people in charge of making sure the 2010 winter Olympics is pulled off without a hitch are now running at full speed.  The Province of British Columbia is faced with building arenas, widening roads, and figuring out how to house the thousands of spectators and participants that will flock to their beautiful city in less than two years.  Things are well on their way.  Arenas are almost completed, city streets are flocked with banners depicting the Olympic mascot, and most importantly, sponsors are working hard to make sure their brand will be the most noticable.

Sponsors drop boat loads of money in order to gain access to the coveted “rings.”  Minimum commitments are somewhere in the ball park of 5 million dollars to be an official sponsor of the games.  Companies are going to go to great lenthgs to make sure their money is well spent.  This will include the hiring of the best designers and marketing teams in the world.  Giants like Coca-Cola and Vias will be making sure that when you watch the Olympics, you will see their brand. 

With the amount of work that is coming out of these Olympics, there are great opportunities for designers and marketers to land some great work.  The Olympic operating budget alone is 1.6 billion dollars.  London expects to add over 40 billion dollars to its economy in 2012 alone.  I am sure Vancouver will be in the same ball park.  A cut of this money surely can be landed by the creative community.


Interactive Design meets Experiential Perfection: SAUL WILLIAMS

Friday, May 15th, 2009

by Eric Goldstein

www.olivestudio.com

Spoken Word.
Rock. Hip Hop.
Freak. Color. Noir. Beauty.
Eye Opening and Visually Rich.

His style COMPLETELY surrounds you in his videos, stage presence and voice.
An integral voice to race, gender, humanity, reality and imaginary – explore this amazing, “borderless” interactive world, where you are transported forward and backward sideways and backward. This is experiential and unique. It’s fluid and intuitive. His words are like this, thus making it into my top 5 favorite site designs and music experiences of the year.

It is easy to understand why fans become loyal listeners and followers – with a very tactile and iridescent façade – his social dialogue is communicated  - WITH CLARITY.

As a Creative Director, I really can appreciate the multi-world, open space and the layering/abstract/select focus/ambient art direction fused with the motion graphics of the various spatial fields.

Well Done.

Learn more about Saul Williams

Saul Williams