Posts Tagged ‘branch’

Reader Contribution: Nature In The City

Thursday, July 15th, 2010

www.Olivestudio.com

This post was sent in by one of our readers across the pond in the UK!

RBMonline1

Recent design graduate Richard Brownlie-Marshall has created a range of exiting new concepts to turn heads and turn cities greener. His final project, titled ‘Branch’, is a range of attachable objects that encourage engagement with nature at a local level, therefore increasing knowledge on a global scale.

RBMonline2

The products look at the different ways that nature can interact with city life, bringing surprise and intrigue to the observer. The premise is to place the various products in unexpected locations around a city, encouraging discovery by the community and inspiring interaction with previously unloved spaces.

We appreciate the great design and thought behind the functional designs by great designers like Richard Brownlie-Marshall.  The idea that great design, sustainability and functionality are a vital concept in the future of urban living. 

To learn more about Richard Brownlie-Marshall and his work, click here.

Thank you very much to Richard Brownlie-Marshall for your contribution!


“What’s your favorite car?”

Wednesday, September 16th, 2009

by Eric Goldstein

www.olivestudio.com

I get asked this pretty often by friends, when we discuss, what would you do if you won the lottery, or what car would you love to have in your garage. For me, I would have to say, ONE of these cars would have to be a Karmann Ghia convertible.

 

1974 Karmann Ghia.JPG

VW had this car in production from 1955 through to 1974 (shown is a 74’ convertible). I think the appeal for me is to know I can fix what needs fixin’ with the tools I have in my tool chest – but aside that, the classic VW/Porsche lines and the top down – I look forward to the day

 


Neil Barrett Flagship Store / Tokyo

Tuesday, June 2nd, 2009

by Eric Goldstein

www.olivestudio.com

Neil Barrett

Architect: Zaha Hadid Architects

Although I was not familiar with the design style of Neil Barrett, I am now – since his Tokyo showroom is making waves across design/architect circles. A very experiential space, and the use of materials and grand gestures of ethereal pleats and waves – the design serves as a directional guide through the space/retail environment.
This will definitely be on my list of things to see next time in Tokyo.

Architect’s Overview:
Our concept for the Neil Barrett flagship store in Tokyo is based on the minimal cut of the brand’s fashion design and parallels its approach in using the same design parameters of fixed points, folding, pleating and cut outs.
Rather than defining a single room or space, our design creates a circular passage allowing the customer to experience the space in multiple ways and interpretations.

Furniture staged in key points throughout the store creates the spatial concept of a narrow enclosure changing to an open condition. In two formal elements the design shifts between architecture and sculpture, where a compact mass of surface layers unravel and fold to form the shelving display and seating. The emerging folds will be used as display area for the NB accessory collection.

For more images, click here:


Vancouver Olympics 2010

Monday, May 18th, 2009

by Brian Carroll

www.olivestudio.com

While it may seem like a long ways off, the people in charge of making sure the 2010 winter Olympics is pulled off without a hitch are now running at full speed.  The Province of British Columbia is faced with building arenas, widening roads, and figuring out how to house the thousands of spectators and participants that will flock to their beautiful city in less than two years.  Things are well on their way.  Arenas are almost completed, city streets are flocked with banners depicting the Olympic mascot, and most importantly, sponsors are working hard to make sure their brand will be the most noticable.

Sponsors drop boat loads of money in order to gain access to the coveted “rings.”  Minimum commitments are somewhere in the ball park of 5 million dollars to be an official sponsor of the games.  Companies are going to go to great lenthgs to make sure their money is well spent.  This will include the hiring of the best designers and marketing teams in the world.  Giants like Coca-Cola and Vias will be making sure that when you watch the Olympics, you will see their brand. 

With the amount of work that is coming out of these Olympics, there are great opportunities for designers and marketers to land some great work.  The Olympic operating budget alone is 1.6 billion dollars.  London expects to add over 40 billion dollars to its economy in 2012 alone.  I am sure Vancouver will be in the same ball park.  A cut of this money surely can be landed by the creative community.


Digital Design in Politics

Monday, May 11th, 2009

by Christian Bayley

www.olivestudio.com

This year’s Obama campaign was historic in many ways, but one that is particularly relevant to what we cover here at Branch was its approach to Digital Media. Here is a brief excerpt from a talk given by Scott Thomas, design director of New Media from Obama’s campaign. It gives great insight to how design helped shape every touchpoint. We will cover how design branding and new media are shaping politics (from a non partisan viewpoint) in a dedicated upcoming issue of Branch, but we want to start the dialog early because of its relevance. Enjoy!


Olive Notes: May

Saturday, May 9th, 2009

www.olivestudio.com

Wow can’t believe it has been a month already since we launched Branch. I wanted to use this space to thank everyone for their support over the past month, the outpouring of the kind words has truly touched Eric and I. We want Branch to be a place that entertains, informs, delights and inspires. We can’t do it alone though, if you were part of the initial 10,000 people who were in our database and received Branch, we know you have a lot to say and add to this discussion so please use the comments to share your thoughts, or email us at branch@olivestudio.com with any thoughts, posts or story ideas. You are some creative and smart people let’s see what you got! Click & Contribute.

Aside from launching Branch and Taste (our sister company’s blog) the past month has been extremely busy. Eric was named an Associate Professor at the Portfolio Center in Atlanta, teaching a class called Experience Linguistics. He also was a judge this month at The Creative Circus, and did panel critiques alongside Tim Nichols, Assistant Professor of Interior Design at the Ernest G. Welch School of Art and Design. Christian gave a keynote speech on Social Media at the 2009 MTIA conference in Louisville, KY. Which we will make available for download later this month.

Social Media is booming right now at Olive so it is appropriate as our topic this month, so please check out Branch the rest of the month for more great Case Studies, Examples, Hot Work and delicious insight.


Origins of Branding

Wednesday, May 6th, 2009

by Christian Bayley

www.olivestudio.com

When many people first enter Branch, they often have differing ideas on what “branding” is. Branch is proud to be a public service dedicated to defining this concept. Here at Branch, we point back to the early 19th century American western culture as our era for discussion. Specifically cattle ranches during this time period operated under a free range principle where by the cows could roam large expanses of land with no fencing separating much of the land and neighboring ranches. The practice of “branding” the cattle was used to differentiate one ranches cow from a neighbors. . .thus eliminating many disputes. The “brand” was a literal mark placed on the hide of each animal by heating the mark or logo of the ranch on a hot iron, then searing this mark into the flesh of the cow leaving a permanent scar in the shape of the “brand”.

Branding as a result started as a literal mark, and many companies today continue to think of branding this way . .as their company logo or colors, or perhaps their website. However, in the early west something else started happening that more accurately defines branding as Branch defines it. Certain ranches, became known for having better quality meats, for taking better care of their animals, for being more professional in bringing their product to the market. For these ranches, their “brand” came to symbolize something much greater than the literal mark itself. Certain ranches stood for quality, and as a result they were able to command a premium price in the marketplace.

Modern branding takes the idea that a company’s brand is actually the summation of every touchpoint of that company, and the total perception of a company in the minds of the population. You only have to think the word Disney and this company has powerful associations in the minds of people, same with Apple. . .you may never have owned an Apple product but you probably have developed certain associations for this company. All of these “touchpoints” make up a brand, and while no company is completely in control of its brand, successful companies are proactive in planning and controlling these touchpoints. . .and in the end these “Brands” tend to emerge with long term sustainable competitive advantage, and create substantial value for their customers, employees, shareholders. . . .no searing flesh involved.


Consider This. Really

Saturday, April 25th, 2009

cup_of_tea

by Eric Goldstein

www.olivestudio.com

We’ve talked about Branding and that it’s much more than just your logo, or color palette, business cards or website, but the totality of all the touch points your brand has contact with your customers (and those whom are not yet customers).

What does it take to get into the CONSIDERATION SET? (The group of alternatives that a consumer evaluates in making a decision)
Often times, this is the part our clients and partners often have a harder time realizing. What makes your products/services attractive and what makes them desirable in the first place or what is it about your competitors products/services which make YOURS more desirable?

A Quick Story.
This morning, I was preparing a cup of tea. I looked for the obligatory red colored box English Breakfast Twinings package usually found on the tea shelf. Only this morning it wasn’t there, but there was the box of CHOICE ORGANIC (brand), Irish Breakfast Tea (product). Being 6:15am and not being totally tactile-efficient, my hands struggled to open the cellophane protective packaging around the box. The cellophane was heated so much to the box that nothing I used to pry open the plastic would work and it caused great frustration for something which usually provides me great joy in the morning.

What does this mean from a Brand Experience?
Simply this. CHOICE ORGANIC TEA’S – will NOT make their way into my CONSIDERATION SET, next time I am at the grocery store. (IT’S THAT EASY) I would rather give up the ORGANIC, and go with what brings me comfort, fits in with my already established behavior (think..BRAND LOYALTY) and continue to use Twinings (brand) teas (products).

What does this mean for CHOICE ORGANIC TEAS?
Well, I am just one person, but because I have a voice, and a vehicle to air my voice (Twitter, Blogs, Face Book, Word of Mouth), others may be influenced by my experience, or that of their own, whether it’s the same or different – How a package opens, taking into consideration the TOTAL experience of how their products are used, should be a huge part of their brand planning/R&D/Packaging.

In this case, it could be as simple as spending a little more for a simple, colored unraveling strip (think WRIGLEYS/DENTYNE GUM – which everyone is familiar with). Other brands have had to step up and do some reputation management or reformulate their packaging associated with “Wrap Rage”<<Check out more examples here 



On Your Mark…..Get Set…….Cut and Paste!

Monday, April 20th, 2009

by Eric Goldstein

www.olivestudio.com

Are you a designer? Have you heard of Cut & Paste?
Perhaps through Cool Hunting, or Current TV, or maybe even through your local Graphic Arts Organization – this is the new trend in fusing entertainment and design.

DESIGN COMPETITIONS. Short rounds of creative, flash mob mentality, you enter, you compete and it’s happening ALL AROUND THE WORLD.

If you are one of those designers who often find yourself with a “Creative Block”? – THIS IS NOT FOR YOU. Enjoy!

 

<<Click here to learn more



YouTube Symphony Orchestra

Thursday, April 16th, 2009

by Christian Bayley

www.olivestudio.com

So this week marked the culmination of an amazing example of online and offline worlds coming together. Several months ago an ambitious project was put together by the folks at YouTube (full disclosure they are a client). The idea was to use the power of social media to create a virtual orchestra that anyone in the world could audition for and that viewers themselves could pick the members of. Including from instruments not typically associated with an orchestra. Thousands of submissions and 15 million votes later the orchestra was picked, and this week they were flown to Carnegie Hall for the first performance of a piece they had all been rehearsing individually. Really inspiring.

Here is the initial call for entries.

And here is the actual first act posted today on the channel set up to cover this first of a kind event:

YOUTUBE SYMPHONY ORCHESTRA CHANNEL PAGE

The channel also has all the backstory about the composer, organizers, etc.